"The Brutalist: Celluloid Epic"

This is a Brutalist news story, published by Condé Nast, that relates primarily to Brady Corbet news.

Brutalist news

For more Brutalist news, you can click here:

more Brutalist news

Brady Corbet news

For more Brady Corbet news, you can click here:

more Brady Corbet news

movies news

For more movies news, you can click here:

more movies news

Condé Nast news

For more news from Condé Nast, you can click here:

more news from Condé Nast

About the Otherweb

Otherweb, Inc is a public benefit corporation, dedicated to improving the quality of news people consume. We are non-partisan, junk-free, and ad-free. We use artificial intelligence (AI) to remove junk from your news feed, and allow you to select the best entertainment news, business news, world news, and much more. If you like movies news, you might also like this article about

cinematography

. We are dedicated to bringing you the highest-quality news, junk-free and ad-free, about your favorite topics. Please come every day to read the latest Brutalist architecture news, filmmaking approach news, movies news, and other high-quality news about any topic that interests you. We are working hard to create the best news aggregator on the web, and to put you in control of your news feed - whether you choose to read the latest news through our website, our news app, or our daily newsletter - all free!

filmmaking

Condé Nast

•

Director Brady Corbet and cinematographer Lol Crawley share their favorite shots from The Brutalist

Summary

Nutrition label

67% Informative

Director Brady Corbet and cinematographer Lol Crawley say they can’t take credit for their favorite shots in The Brutalist .

The film's cinematography was greatly informed by Judy Becker ’s production design, honoring Brutalist architecture.

Corbet: "We get this quality of real majesty, but where it still feels sort of like an artifact.”.

The film was shot using a wet plate color process from the beginning of the 20th century .

The wet plate process is what gives it this antiquated look, but in a way that, at least to my eye, doesn't feel fake.

Corbet: Carrara is among the most extraordinary places I’ve ever been on the planet.

The film is so much about a character trying to possess that which cannot or should not be possessed.

If we had been on a regular 35mm camera, we would not have been able to capture this entryway from floor to ceiling in the way that we were able to on that format.

The film was shot on a 435 camera into service mode, and the aperture never closes.

VR Score

Informative language

Neutral language

Article tone

informal

Language

English

Language complexity

Offensive language

possibly offensive

Hate speech