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Joshua OppenheimerCondé Nast
âą58% Informative
The End is a musical drama that, in its strange empathy, condemns the oligarchs of our world in a way that could almost be called satiric.
Michael Shannon plays a former oil baron who has fled environmental catastrophe and taken his family and a few attendants to a facility built deep inside a cavernous salt mine.
A stranger, played by Moses Ingram , somehow finds her way down to the cave, barely surviving the ravages of the land above.
What remains engaging throughout are the rich and carefully textured performancesâ MacKay âs study of repressed energy and Ingram âs mix of wariness and gratitude are particular highlightsâand the filmâs myriad aesthetic graces. While probably not made on a huge budget, The End looks like it cost a zillion dollars . The landscape of the film is richly realized, captured in chillingly elegant chiaroscuro by cinematographer Mikhail Krichman . Humanityâs final residence is a lovely one, and all the more frightening and contemptible for it..
VR Score
61
Informative language
60
Neutral language
17
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informal
Language
English
Language complexity
50
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possibly offensive
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not hateful
Attention-grabbing headline
not detected
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not detected
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medium-lived
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